Welcome to the future of digital cinema! As a Red exclusive rental and production company, Visceral Psyche is pleased to offer the revolutionary Red One cameras for rental here in Japan, along with Epic, Scarlet and Red-Ray once they become available.
Here at Visceral Psyche we don't believe in renting you half a camera package and then charging you for all the additional items you require to actually shoot. Our package price is all-inclusive of everything you need to shoot (full list below), as well as providing technical expertise on set in the form of a camera operator/DIT (digital imaging technician) who is trained in all facets of Red One operation and workflow, giving you peace of mind that your footage is created and backed up safely at the end of each day.
Rental Rate System
As of February 22nd 2010 our pricing structure is as follows:
| Days Rented: | 1 |
2 |
3 |
4 5 |
6 7 |
8 9 |
10 11 |
12 13 |
14 15 |
Days Charged: |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
| Days Rented: | 16 17 |
18 19 |
20 21 |
22 23 24 |
25 26 27 |
28 29 30 31 |
Days Charged: |
10 |
11 |
12 |
13 |
14 |
15 |
Due to our policy of providing a camera operator/DIT with all cameras, pick up of equipment will be on the day of the shoot and returned at the end of the last day of the shoot, unless otherwise arranged prior to the shoot itself. Any bookings taken under the prepaid rate will revert to the normal rate if not paid for in full prior to picking up the equipment.
Cameras
Item |
Rental Rate / Day * |
Red One Mysterium-X Package (COMING SOON):
* Please specify which option you want when booking your camera package as they may not be available due to prior booking schedule conflicts. |
¥90,000 |
Red One Package:
* Please specify which option you want when booking your camera package as they may not be available due to prior booking schedule conflicts. |
¥80,000 |
Canon EOS 7D Package:
Perfect for use as a director's viewfinder, location scouting, low budget shoot, rehearsal or B camera. Use with the Red One/Birger mount combo to swap lenses instantly between cameras with same DoF, FoV and lens mm. Movie Formats: 1920x1080p 23.98, 25, 29.97fps, 1280x720p 50, 59.94fps, 640x480p 50, 59.94fps Still formats: RAW and JPG 5184 x 3456, 3888 x 2592, 2592 x 1728 |
¥10,000 |
* please add 5% sales tax to all rates to calculate total cost
Lenses
Item |
Rental Rate / Day * |
Red PL Mount 18-50mm T3 Close Focus Zoom Lens
|
¥5,000
|
Canon EF-S 10-22mm f/3.5-4.5 USM zoom lens
|
¥3,000 |
Canon EF-S 17-55mm f/2.8 IS USM zoom lens
|
¥3,000 |
Canon EF 70-200mm f/2.8L IS USM zoom lens
|
¥3,000 |
Canon EF 24mm f/1.4L USM prime lens
|
¥3,000 |
Canon EF 50mm f/1.2L USM prime lens
|
¥3,000 |
Red One PL Mount Collimation Service (to 52.00mm standard) for third party Red cameras
|
¥5,000 per collimation |
Canon Birger EF Mount (allows full electronic focus and iris control of Canon EF/EF-S lenses on the Red camera, both wired and wireless) with Viewfactor Impero Follow Focus unit |
¥5,000 |
* please add 5% sales tax to all rates to calculate total cost
Item |
Rental Rate / Day * |
Formatt 4"x5.65" IRND Filter Set (ND0.3, ND0.6, ND0.9, IRND1.2, Clear IR)
|
¥5,000 |
Supplementary Red One Power Pack (extra charger plus 2x 140Whr Li-Ion RedBrick batteries)
|
¥2,500 |
AudioTechnica AT3032 48V Omni-directional microphone (XLR plug)
|
¥2,000 |
4x Walkie Talkies (Standard Communications FTH-107) with headsets and rechargeable AA batteries/charger
|
¥4,000 |
BNC Cables (1x 20m, 1x 10m, 1x 5m available)
|
¥1,000 per cable |
1TB eSATA/FW800/FW400/USB2.0 Portable Backup Hard Drive to store your R3D data
|
¥20,000 to purchase |
* please add 5% sales tax to all rates to calculate total cost
Item |
Rental Rate / Day * |
Additional camera operator/DIT on a two camera job
|
¥30,000 |
R3D (RedCode RAW) transcoding to other formats (ProRes, H.264, MOV, AVI, MXF, DPX, TIFF)
|
¥100 per GB of R3D |
Additional R3D backup copy per TB (or part thereof) stored securely for 6 months at our office
|
¥15,000 per TB of R3D |
Director & Full Production Service (Movie, Music Video, Commercial, Corporate Video)
|
Price On Application |
Director of Photography staff upgrade (with camera rental)
|
¥30,000 |
Director of Photography (without camera rental)
|
¥80,000 |
Editor (8 hour working block)
|
¥50,000 |
Colourist (8 hour working block)
|
¥50,000 |
DVD/Blu-ray menu authoring and mastering (8 hour working block)
|
¥50,000 |
Stills Photographer (8 hour working block)
|
¥50,000 |
Overtime Rate (for camera operator/DIT staff) >12 hours of work in one day
|
¥5,000 per hour |
Other Camera and Lighting Equipment (We can organise all other equipment for you as needed. Please send us a list of your requirements and we will send you back a quote as soon as possible.)
|
Varies |
* please add 5% sales tax to all rates to calculate total cost
You will need a backup hard drive (which we can supply if needed) to store your raw footage on. Our DIT will assist with transferring/backing up and verifying the footage each day (1 copy). We can also create an additional backup for security (in its original R3D format for maximum quality) which will be stored securely at our production office, giving you a distributed backup plan in case of any unforeseen disaster, as per the pricing structure above.
Visceral Psyche Films reserves the right to alter prices and specifications as necessary, however once you have booked, your price will be fixed and not subject to change.
Red One Mysterium-X Technical Specifications
| Camera: | Red One Mysterium-X |
| Sensor: | Mysterium-X sensor, maximum resolution 4480x1920 (4.5K WS), 4096x2304 (4K 16:9), Super35 size |
| Resolution Options (on board): | RedCode RAW 4.5K WS @ 1-30fps, 4K @ 1-30fps, 3K @ 1-60fps, 2K @ 1-120fps |
| Framerate: | Variable up to maximum fps of resolution selected |
| Storage Options: | 8GB or 16GB Red CompactFlash cards, 320GB RAID0 eSATA RedDrive |
| Output Format: | Red RAW R3D files, Quicktime MOV proxy files (full, half, quarter, eighth size) |
| Outputs: | 1080p 4:4:4 Dual Link HD-SDI (playback only), 720p Single Link HD-SDI x3, HDMI (DVI format) |
| Inputs: | USB, SD Card (LUTs and camera settings), 4x Mini-XLR audio inputs (48k 24bit WAV x4) |
| Live Image Output: | Electronic Viewfinder (1280x848), LCD (1024x600), HDMI, HD-SDI |
| Lens Options: | Any PL mount lens (includes /i pin support), Canon EF mount still lenses |
| Current Firmware Build: | v30.3.1 (we can switch to other builds if needed for your production) |
Red One Technical Specifications
| Camera: | Red One |
| Sensor: | Mysterium sensor, maximum resolution 4480x1920 (4.5K WS), 4096x2304 (4K 16:9), Super35 size |
| Resolution Options (on board): | RedCode RAW 4.5K WS @ 1-30fps, 4K @ 1-30fps, 3K @ 1-60fps, 2K @ 1-120fps |
| Framerate: | Variable up to maximum fps of resolution selected |
| Storage Options: | 8GB or 16GB Red CompactFlash cards, 320GB RAID0 eSATA RedDrive |
| Output Format: | Red RAW R3D files, Quicktime MOV proxy files (full, half, quarter, eighth size) |
| Outputs: | 1080p 4:4:4 Dual Link HD-SDI (playback only), 720p Single Link HD-SDI x3, HDMI (DVI format) |
| Inputs: | USB, SD Card (LUTs and camera settings), 4x Mini-XLR audio inputs (48k 24bit WAV x4) |
| Live Image Output: | Electronic Viewfinder (1280x848), LCD (1024x600), HDMI, HD-SDI |
| Lens Options: | Any PL mount lens (includes /i pin support), Canon EF mount still lenses |
| Current Firmware Build: | v30.3.1 (we can switch to other builds if needed for your production) |
Canon EOS 7D Technical Specifications
| Camera: | Canon EOS 7D |
| Sensor: | APS-C size |
| Still Image Formats: | RAW and JPG 5184 x 3456, 3888 x 2592 (SRAW1), 2592 x 1728 (SRAW2) |
| Movie Formats: | H.264 MOV 1920x1080p 23.98, 25, 29.97fps, 1280x720p 50, 59.94fps, 640x480p 50, 59.94fps |
| Framerate: | Up to 8fps (continuous JPG) |
| Storage Options: | CompactFlash |
| Output Formats: | CR2 (RAW), JPG, H.264 MOV files (1080p and 720p) |
| Outputs: | mini-HDMI |
| Inputs: | 1x 3.5mm mini-jack microphone input, shutter release/intervalometer |
| Live Image Output: | mini-HDMI |
| Lens Options: | Canon EF/EF-S mount still lenses |
| Current Firmware Build: | v1.10 |
Step 1 - Call, fax or email us to see if your preferred dates are available (English or Japanese):
TEL: +81 (0)3 3775 7441
FAX: +81 (0)3 3775 7442
Step 2 - Download our Rental Terms and Conditions (PDF), fill in all sections (don't forget your signature or company hanko) and email or fax back the first page only once completed.
Step 3 - You will be sent an invoice via email to the address you specified in the Rental Terms and Conditions, unless you specifically request it to be mailed via the normal postal service.
Step 4 - Payment is to be made in full by the date specified on the invoice. Failure to do so will result in the immediate cancellation of your booking. This is NOT negotiable!
Step 5 - Once you have paid please email, phone or fax us to let us know so we can confirm payment and send you a receipt. As soon as we have verified your payment the rental dates will be locked in for you.
Step 6 - Email or send us the production schedule and location information and arrange for the first call time and place we need to be.
Step 7 - Enjoy shooting with the world's best motion picture cameras, backed by Japan's most experienced Red operators!